Theme
Sadistic Summer
farewell kingdom ArchiveMessage
Perhaps one did not want to be loved so much as to be understood.
- George Orwell
historical-nonfiction:

People enjoying a picnic in the middle of a highway during the 1973 oil crisis.

historical-nonfiction:

People enjoying a picnic in the middle of a highway during the 1973 oil crisis.



Real-life Grave of the Fireflies: (Photo) Stoic Japanese orphan, standing at attention having brought his dead younger brother to a cremation pyre, Nagasaki, by Joe O’Donnell 1945
This photograph was taken by an American photojournalist, Joe O’Donnell, in Nagasaki in 1945.
He recently spoke to a Japanese interviewer about this picture:


“I saw a boy about ten years old walking by. He was carrying a baby on his back. In those days in Japan, we often saw children playing with their little brothers or sisters on their backs, but this boy was clearly different. I could see that he had come to this place for a serious reason. He was wearing no shoes. His face was hard. The little head was tipped back as if the baby were fast asleep.
“The boy stood there for five or ten minutes. The men in white masks walked over to him and quietly began to take off the rope that was holding the baby. That is when I saw that the baby was already dead. The men held the body by the hands and feet and placed it on the fire.
“The boy stood there straight without moving, watching the flames. He was biting his lower lip so hard that it shone with blood. The flame burned low like the sun going down. The boy turned around and walked silently away.”

Real-life Grave of the Fireflies: (Photo) Stoic Japanese orphan, standing at attention having brought his dead younger brother to a cremation pyre, Nagasaki, by Joe O’Donnell 1945

This photograph was taken by an American photojournalist, Joe O’Donnell, in Nagasaki in 1945.

He recently spoke to a Japanese interviewer about this picture:

“I saw a boy about ten years old walking by. He was carrying a baby on his back. In those days in Japan, we often saw children playing with their little brothers or sisters on their backs, but this boy was clearly different. I could see that he had come to this place for a serious reason. He was wearing no shoes. His face was hard. The little head was tipped back as if the baby were fast asleep.

“The boy stood there for five or ten minutes. The men in white masks walked over to him and quietly began to take off the rope that was holding the baby. That is when I saw that the baby was already dead. The men held the body by the hands and feet and placed it on the fire.

“The boy stood there straight without moving, watching the flames. He was biting his lower lip so hard that it shone with blood. The flame burned low like the sun going down. The boy turned around and walked silently away.”

(via furuichin)

cosmosonic:

The arrival of a boat carrying refugees from Europe reunites a mother and son who had been separated throughout the war, 1946.

cosmosonic:

The arrival of a boat carrying refugees from Europe reunites a mother and son who had been separated throughout the war, 1946.

luzfosca:

Nicolas Yantchevsky
Paris, 1953

luzfosca:

Nicolas Yantchevsky

Paris, 1953

(via darksilenceinsuburbia)

Andre Kertesz, Meudon, 1928, 

Andre Kertesz, Meudon, 1928, 

collectivehistory:

London readers continue to browse at a bombed-out library, WWII. 

collectivehistory:

London readers continue to browse at a bombed-out library, WWII. 

Kitty Tatch and Katherine Hazelston, waitresses at Yosemite National Park hotels, dance on Overhanging Rock at Glacier Point in 1900.
Photo by George Fiske

Kitty Tatch and Katherine Hazelston, waitresses at Yosemite National Park hotels, dance on Overhanging Rock at Glacier Point in 1900.

Photo by George Fiske

Bicycle to the Sky, 1931.
Manuel Álvarez Bravo

Bicycle to the Sky, 1931.

Manuel Álvarez Bravo

A Photographer In Sicily.
Enzo Sellerio

A Photographer In Sicily.

Enzo Sellerio

New York, Tomi Ungerer, 1965. 
Enzo Sellerio

New York, Tomi Ungerer, 1965. 

Enzo Sellerio

Washington, D.C., 1964
Ray K. Metzker

Washington, D.C., 1964

Ray K. Metzker